There are two writers to whom I return for inspiration and solace when I’m writing:
Sarah Ruhl and Rick Rubin.
When it comes to writing a musical, Danny and I find the book is the hardest thing to get right. And though I’ve lost track of how many musicals I’ve written, one thing I know is that the process of writing the book is different every time.
Read MoreWhen we first did Regretting Almost Everything at Mr. Finn’s Cabaret at Barrington Stage in August of 2017, there was no libretto, and it fell on me to act as host and narrator.
Read MoreThe time has come to pitch producers. With our publicist’s help, we’ve created a pitch deck. What’s in it?
Read MoreWhen you tell someone you’ve written a new musical comedy, the first question they ask is: You? (Just kidding.) The first thing they ask is: What’s it about?
Read MoreWe love making musical theatre: Writing, re-writing, working with actors and other creatives, re-writing, rehearsing, re-writing, having our work performed, table reads, workshops, choreography labs.
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